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But Duane didn't know of his son's existence until after White died by suicide, and the father-son pair reconnected when Christopher was an adult. The reality star's first child, Christopher Michael Hecht, was born after Duane's teenage relationship with a woman named Debbie White. However, his relationship with some of his children has been strained at times. Professional bounty hunters Clint Simmons, Dayson Goetz, Rob Hoyt and Mike 'Animal' Zook, patrol the scenic but harsh landscapes of Colorado and Montana searching for armed and unpredictable fugitives. He also later served time in a federal prison related to bounty-hunting charges in Mexico after tracking down Max Factor heir Andrew Luster, who was convicted of multiple sexual assaults.ĭuane has been married five times and is a father to 12 children. While he served his time at the Texas State Penitentiary, Duane's first wife, La Fonda Sue Honeycutt - the mother of his sons Duane Lee Chapman II and Leland Chapman - divorced him and married his best friend. "I should not have been there, that's that," he said of his involvement when the conviction later barred him from entering the U.K. Filming Location in Colorado: Castle Rock, Greenwood Village. Despite the fact that he claimed to be merely an accomplice to the crime, Duane was convicted of first-degree murder. Cast members include Kevin Bacon, Shea Whigham and Camryn Manheim. In 1976, when he was 23 years old, Duane was waiting in a car when a friend shot and killed a man during a drug deal gone wrong. Duane dropped out of school at age 13 and lived a rough life as a member of a motorcycle gang, with several arrests for armed robbery and other crimes. Our Thoughts: iSumsoft BitLocker Reader for Mac is a good choice for those who are looking for a reliable and easy-to-use BitLocker reader. No support for BitLocker drive encryption.Free trial is limited to the first three files.Additionally, iSumsoft BitLocker Reader for Mac supports multiple languages, making it user-friendly for individuals who speak different languages. It is easy to use, with a simple interface that makes the unlocking process easy without the need for any special technical skills. ISumsoft BitLocker Reader for Mac is a reliable software that allows Mac users to unlock and access BitLocker-encrypted drives seamlessly. It is essential when you need to open or access files stored on an encrypted BitLocker drive that is not compatible with Mac OS. A BitLocker Reader helps you to unlock and access your encrypted hard drive, without any limitations. What is a BitLocker Reader?Ī BitLocker reader is a software tool that allows users to access and read BitLocker-protected drives on their Mac computers. In order to solve this problem, several third-party software options are available to Mac users to help them read BitLocker drives. However, Mac OS does not provide BitLocker encryption, which makes it difficult for Mac users to access and read files from BitLocker-encrypted drives. Since then, it has become a widely-used feature in Windows operating systems. Video Tutorial: BackgroundīitLocker was first released in Windows Vista, as a feature to protect user data by encrypting hard drives. Additionally, we will also answer some frequently asked questions about BitLocker readers for Mac. In this blog post, we will introduce the top 5 Bitlocker readers for Mac, and provide a brief description of each software, along with its pros and cons, and our thoughts on its use. Although this feature is not available in Mac OS, Mac users can still access and read encrypted BitLocker drives on their computers, using third-party software. dmg file on the Mac.BitLocker is an encryption feature that is available in Windows operating systems, that allows you to encrypt your hard drives or specific files and folders, to protect your data from unauthorized access. dmg file and select it, and click Open to mount the. dmg file on your Mac normally, now just click on Attach, then browse for the. In addition, iSumsoft Bitlocker Reader for Mac comes with the Attach feature which can help you mount and read. You can mount it whenever you want.Įject: Safely remove the disk from your Mac. Unmount: The disk is still on your Mac, but you cannot read or write it. Step 7: When you finish using the drive, click on Unmount to unmount the drive or click on Eject to disconnect it from the Mac computer. Step 6: Now, you can open the drive and read, write, copy, or delete files in it. Step 5: After a short while, the BitLocker-encrypted drive is unlocked and mounted, and you can see it on your Mac desktop. Check "Use key file", and click Open to add the recovery key file into the software, and then click Mount. Step 4: Enter the password for the BitLocker disk to unlock the drive and click on Mount.Īlternatively, if you have a BitLocker recovery key file on the Mac, you can use the recovery key file to unlock the drive. All you need to do is select the BitLocker-encrypted drive and click Unlock button. You can easily see it at a glance because it is labeled as "bitlocker". Step 3: Once you insert the BitLocker-protected drive into your Mac, iSumsoft BitLocker Reader for Mac can automatically detect the drive and display it in the list. If you're prompted that the disk you inserted was not readable by this computer, just click Ignore to ignore it. Step 2: Connect/insert your BitLocker-encrypted drive into your Mac computer. Step 1: Install and then launch iSumsoft BitLocker Reader for Mac on your Mac computer. Follow the simple step-by-step instructions. Meanwhile, the fans continue to make their appreciation felt: in 2014, OCS came fourth in a poll of Birmingham’s best ever bands. “Someone thought it would be nice for us to play the kinds of venue we were playing when Moseley Shoals came out,” Fowler said. It’s hardly Knebworth, where 125,000 once shouted back the choruses, but for a group who called their greatest hits collection Songs for the Front Row, it fits. The dad-rockers are quite literally dads, and the cords are finally age-appropriate. In July this year, the band’s now middle-aged members will head out at Birmingham’s Moseley Park to play the album for a crowd of 2,000. Ocean Colour Scene frontman Simon Fowler performing in 1996. This is still, I realise, an album I’d sooner put on than many of the others I loved in that era, including Different Class, Expecting to Fly, All Change, and even possibly Definitely Maybe maybe. Fowler’s aching, tuneful croon is light years ahead of anything his contemporaries offered: less laddy than Liam, less hammy than Damon, more genuine than Jarvis. There’s depth, too: beyond encore favourite The Day We Caught the Train there’s the sorrowing One for the Road, the sweetly complex It’s My Shadow and the drifting, dreamlike The Downstream. The Circle is a flat-out masterpiece, all the way from its feedback fade-in to its lovely, shredding outro, and nothing anyone says will convince me otherwise. The Riverboat Song’s scalding riff – “It came from me being really pissed off one day,” says Cradock – still makes me lip-bite embarrassingly and reach for my air Gibson. Musically, the album still prompts an all-out assault on nearby drummable surfaces. When the lines do make sense, they tend to reach for the regulation Britpop imagery of suns, shadows, shoes and roads. “Like a king who stalks the wings and shoots a dove and frees an eagle instead,” he sings on Riverboat. Then there are the lyrics, which – thanks to frontman Simon Fowler’s writing method of improvising into a cassette player – can be cryptic, to say the least. Some tracks, such as bangy piano rocker 40 Past Midnight, feel like filler, and I’ve never liked the droney You’ve Got It Bad. Nostalgia aside, though, how does Moseley Shoals stand up in 2016? Playing it again, I found the answer was: actually surprisingly well. The boutiques wouldn’t exist if there weren’t. It’s OK – there are more of us than you think. Chances are you find yourself, from time to time, drifting into certain boutiques, hesitating over the leather satchel with the Ministry of Defence target on, leafing through the Ben Shermans on the rack. Chances are, if you were an OCS fan, you’ve got a train-driver hat stashed at the bottom of a cupboard somewhere and you once really wanted a Lambretta. My mates and I could replicate every line, every drum fill, every guitar lick. Moseley Shoals was one of the albums I knew best, back in the days when you really got to know albums. “Ten albums in and they’ve never stopped living in the past,” it croaked in 2013.Īs a teenager in the 90s, listening to the band on repeat, I couldn’t have cared less. The NME, after initial enthusiasm, went on the attack, branding them “out-of-time 60s freaks” and disparaging release after release. There was a nickname: Ocean Duller Scene. They have been called “painfully mundane”, “workmanlike” and laddish, accused of playing dad-rock at gigs “more akin to a beery football match than a rave”. The real reason for its success, though, was simpler: it was an absolute gem of a record, by a brilliant group of musicians.Īdmiration for OCS is not so common in contemporary media in fact, it’s hard to think of a serious band who have inspired more contempt over the years. “We spent a lot of time working on it.” Championed by Radio 1’s Chris Evans – who loved The Riverboat Song so much he made it the theme tune to TFI Friday – it screamed into the charts at No 2 and stayed in the top 10 all summer, buoyed by support from Paul Weller and Noel Gallagher. “We knew it was good,” said guitarist Steve Cradock. It was the band’s second stab at success: their self-titled 1992 debut had sunk without trace and they’d been honing the follow-up for four penniless years. Today marks 20 years since Ocean Colour Scene’s Moseley Shoals entered the British charts. And a band from the Birmingham suburb of Moseley reached the top 10 with an album that combined cord-clad 60s nostalgia and northern soul influences with robust, melodic Britpop songcraft. England got to the semi-finals of the European Championships, still their best performance in half a century. The Spice Girls released Wannabe, leading to global debate about who wanted to be Baby Spice. Dolly the Sheep was born, leading to global debate about the ethics of cloning. A few important things happened in Britain in the summer of 1996. The harsh realities of daily life during the war meant that his extravagant designs fell out of favour. Nor is it possible to predict how Poiret’s personal fortunes may have differed. As curator Madelief Hohé says, “all the ingredients were there but the transformation to the more stylish elements of the 1920s was not visible yet.” Still, if you look at items from the 1910s, people will say “Oh yes that’s Deco.” She adds. It is impossible to predict how the style might have developed had that exhibition gone ahead. Poiret now dominated the world of fashion, and the personal aesthetic he had helped popularise with his home furnishing lines was gaining such ground throughout Europe that a major exhibition, the original Exposition des Arts Décoratifs, was planned for 1915. The innovative nature of this venture was noted by American Vogue, which commented that “certainly couturiers have never before insisted that chairs, curtains, rugs and wall coverings should be considered in the choosing of a dress.”Ī number of private and public commissions for complete interiors, notably the home of actress Isadora Duncan and the interior of Helena Rubinstein’s Parisian beauty salon were evidence of the success of this new venture. These were then sold in his Maison Martine shops, the first of which opened in 1911. In much the same way that he had liberated women’s bodies from constriction in his dress designs, he gave students in his own École Martine the freedom to explore their imaginations so that they might produce more natural, unstudied designs. However, although he admired their work, Poiret likened the Austrian Design schools to “iron corsets,” and feared that their rigid training methods stifled creativity. Poiret’s move into interior design was heavily influenced by the Austrian Wiener Werkstätte movement that saw architects, artists and designers coming together to produce highly original luxurious furnishings and goods, many of which featured characteristics of what we would now consider Art Deco. Scott Fitzgerald’s novel “The Great Gatsby.” The Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest, co-sponsored locally by Eugene Public Library, Springfield Public Library, Oregon Contemporary Theatre, Friends of Eugene Public Library, and Eugene Public Library Foundation.It clearly had a major impact on Poiret, for a couple of years later a Vogue article entitled “Dress Plagiarisms from the Art World,” noted Poiret’s “Cubist crêpe” fabric and the “broken silhouettes,” of his designs. This event is part of The Big Read: a community celebration of F. Her research interests include modern art, how art can be used as propaganda, and how collective memory can inform cultural production. June Koehler Black is the Assistant Curator for the Arts of the Americas and Europe at the Jordan Schnitzer Museum of Art at the University of Oregon. Drawing upon Paul Cezanne’s emphasis on the underlying architecture of form, these artists used multiple vantage points to fracture images into geometric forms. Looking particularly at Cubism and its effect on the clothing of the Roaring ‘20s, works by such designers as Coco Chanel, Paul Poiret, and Madeleine Vionnet will be discussed in relation to paintings, drawings, and sculptures by the likes of Marcel Duchamp, Fernand Léger, and Pablo Picasso. Cubism developed in the aftermath of Pablo Picasso's shocking 1907 Les Demoiselles d'Avignon in a period of rapid experimentation between Pablo Picasso and Georges Braque. Preguntas? Póngase en contacto con Arthurina Fears, See more at: Cubism & 1920s FashionĪn illustrated talk by June Koehler Black will examine the connections between the avant-garde artistic movements of the early 20th century and their impact on the world of fashion. ¡Y es gratis! Se reúne el primer y tercer lunes de cada mes, excepto festivos, desde 9 a 10 de la mañana. Disfrute de una relajante mañana creando arte con otras madres. Questions? Please contact Arthurina Fears, de arte para madres Latinas. Early 20th-century fashion illustration and photography, too, followed the precepts of Cubist imagery, with its indeterminate space, cylinders, cones, and. Meets the first and third Monday of each month from 9-10 a.m. Spend a relaxing morning creating art with other moms. Moms’ Art Club – Club de Arte para Madresįree drop-in art workshops for Latina mothers. |
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